Josèfa Ntjamswell of spæc(i)es
20 April — 24 November 2024 | Open Thur – Sun
Accademia di Belle Arti di Venezia
Josèfa Ntjam’s commission unfolds a new creation myth in which plankton forms a point of convergence between the deep ocean and outer space, biological and mythical realms, possible pasts and alternative futures.
Collateral Event of the 60th International Art Exhibition – La Biennale di Venezia
Open Thursday to Sunday from 12:00 to 18:00
Housed in a pavilion in the courtyard of the Accademia di Belle Arti di Venezia, Josèfa Ntjam’s work takes the form of an otherworldly environment. The cosmic landscapes of a cyclical film morph on a large curved LED wall, enriched by a soundscape composed by Fatima Al Qadiri. Suspended jellyfish ‘sound showers’ play fragments of narration, while a membrane-like form emerges from the ground, diffusing electroacoustic frequencies and offering a resting space. These sonic sculptures are made from innovative materials such as biosourced resin and reishi mycelium.
The installation shapes a poetics of alterity, merging multiple perspectives and knowledge systems. The film fuses Dogon cosmogony and recent discoveries into a circular narrative of creation, featuring a cast of interspecies characters synthesised using artificial intelligence (AI) and digital tools. Sources for these creatures include 3D models of marine life, scans of West African statues held in museum collections and photographs witnessing decolonial independence movements. Through her act of blending, Ntjam embeds histories subject to hegemonic erasure within marine and cosmic landscapes to enable their resurgence. This approach draws influence from electronic duo Drexciya, whose mythology tells of an underwater population born from the wrecks of the Atlantic human trade, and musician Sun Ra, who envisioned Saturn as a host planet for Afro-diasporic people.
“swell of spæc(i)es is an alchemical process in perpetual agitation, the alloying of ancestral geneses with new image creation technologies.”
— Josèfa Ntjam
Ntjam’s installation is housed inside a blue prism-shaped pavilion designed by UNA / UNLESS architecture studio, led by architect Giulia Foscari. Its striking geometry stands in contrast to the organic forms emerging within.
In a satellite space at Palazzina Canonica – CNR-ISMAR (Istituto di Scienze Marine), Ntjam asks audiences to join her process of multiplying avatars of these histories into ever-new forms by creating their own AI-generated hybrid species from her dataset. These creatures will inhabit a virtual ecosystem on-site.
swell of spæc(i)es is complemented by a public programme organised with Ocean Space, ISMAR (Istituto di Scienze Marine) and Accademia di Belle Arti.
"And if the world were born from our aqueous ashes. Intertropical cosmogony of non-temporalities//I'm against// A heap of volcanoes sedimented in a black ocean that gave back to space a few stars of the sea”
— excerpt of Josèfa Ntjam, swell of spæc(i)es
Visitor Information
The project consists of two venues. The main installation can be found in a purpose-built pavilion in the courtyard of the Accademia di Belle Arti di Venezia. It is complemented by a satellite space at Palazzina Canonica CNR-ISMAR (Istituto di Scienze Marine).
Installation:
Accademia di Belle Arti di Venezia
Fondamenta Zattere Allo Spirito Santo 423
30123 Venice, Italy
Satellite space:
Palazzina Canonica CNR-ISMAR (Istituto di Scienze Marine)
Castello 1364/A
30122 Venice, Italy
Opening Hours:
Open Thursday to Sunday from 12:00 to 18:00, including public holidays on Thursday, 25 April; Wednesday, 1 May; Sunday, 2 June; Thursday, 15 August; and Friday, 1 November.
Closed on Monday to Wednesday (except 22 April, 17 June, 22 July, 2 September, 30 September and 18 November)
Josèfa Ntjam
Josèfa Ntjam is an artist, performer and writer whose practice combines sculpture, photomontage, moving image and sound. Collecting the raw material of her work from the internet, books on natural sciences and photographic archives, Ntjam uses assemblage — of images, words, sounds and stories — as a method to deconstruct the grand narratives underlying hegemonic discourses on origin, identity and race. Her work weaves multiple narratives drawn from investigations into historical events, scientific processes and philosophical concepts, to which she confronts references to African mythology, ancestral rituals, religious symbolism and science fiction.
Ntjam studied in Amiens, France and Dakar, Senegal (Cheikh Anta Diop University), and graduated from the École nationale supérieure d’art, Bourges (2015) and the École nationale supérieure d’art, Paris-Cergy (2017). Solo exhibitions include matter gone wild, Fondation d’entreprise Pernod Ricard, Paris (2023–24); Limestone Memories – Un Maquis sous les Étoiles, NıCOLETTı, London (2023); When the Moon Dreamed of the Ocean, FACT Liverpool (2022–23); Underground Resistance – Living Memories, The Photographers’ Gallery, London (2022); and we’ll kill them with love, CAC La Traverse, Alfortville (2022); Molecular Genealogies, NıCOLETTı, London (2021) and Allegoria, duo show with Kaeto Sweeney, Hordaland Art Center, Bergen (2019). She has performed at Forma, London (2023); Lafayette Anticipations, Paris (2023); Stedelijk Museum Amsterdam (2022); LUMA Arles; (2022); Palais de Tokyo, Paris (2020) and Centre Pompidou, Paris (2020) among others.
Ntjam is currently a resident at LVMH Métiers d’Arts, Paris. She lives and works in Saint-Étienne, France.
Press
06
Credits
Commissioned by LAS Art Foundation
Josèfa Ntjam Team
Exhibition Team
Organised for las by
With thanks to:
LAS team and Louise Nielsen, Ann-Charlotte Günzel, Amira Gad, Liz Stumpf; UNA / UNLESS (Giulia Foscari, Federica Zambeletti, Karol Czarzasty, Silvia Sandor, Olympia Simopoulou); Ocean Space, Venice (Markus Reymann, Francesca Thyssen-Bornemisza, Marco Zapperlorto, Eleni Tsopotou, Valeria Bottalico, Barbara Nardacchione); CNR-ISMAR (Istituto di Scienze Marine), Venice (Mario Sprovieri, Francesco Falcieri); Accademia di Belle Arti di Venezia (Riccardo Caldura, Carlotta Rossitto); Galerie Poggi, Paris (Jérôme Poggi, Camille Bréchignac); Nicoletti Contemporary, London (Camille Houzé)